In spite of its atrociously misleading packaging, "Exotica" is a beguiling mystery by enigmatic Canadian filmmaker Atom Egoyan, in which people and their relationships are not what they seem. What at first appear to be disparate stories of a tormented tax auditor, a lonely pet-shop owner, and a sensitive stripper and her coworkers gradually merge to reveal a larger, interconnected portrait. The sequences involving Mia Kirshner's schoolgirl stripper are particularly engrossing because of her character's intelligence and the scenes' deeper subtext. Indeed, "Exotica" is less about stripping than about fragile human relationships, and it is not until the truly revelatory final scene that we are able to fully absorb the film's deeper meaning. "--Bryan Reesman"